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Paper Presentation

19

AUG

16:00-16:30 hrs (GMT + 7)

Room I

From Pilot Recording to Small Comparative Corpus: Event-Aligned Analysis of Organised Terrace Chanting across Match Contexts

Faculty of Creative Industries, City University Malaysia, Malaysia

19

AUG

16:30-17:00 hrs (GMT + 7)

Room II

Mozart as a Point of Departure: Curiosity, Courage, and Curatorial Learning in PGMF 2026

School of Music, Princess Galyani Vadhana Institute of Music, Thailand

19

AUG

16:00-16:30 hrs (GMT + 7)

Room III

Courage in Continuity: Music, Community, and Sustainable Futures in Southern Thailand

Assistant Professor Dr. Suppabhorn Suwanpakdee*

Associate Professor Dr. Kannapa Pongponrat Chieochan**

Associate Professor Dr. Samak Kaewsuksaeng***

Associate Professor Dr. Wasan Palasai****

Dr. Apinporn Chaiwanichsiri*

Dr. Pongthep Jitduangprem*

and Sakrapee Raktaprajit*****                                       


*School of Music, Princess Galyani Vadhana Institute of Music, Thailand

**College of Innovation, Thammasat University, Thailand

***Institute of Research and Innovation, Thaksin University, Thailand

****Princess of Naradhiwas University, Thailand                        

*****The Office, Princess Galyani Vadhana Institute of Music, Thailand   

19

AUG

15:00-15:30 hrs (GMT + 7)

Room III

Kueda Chino: The Aesthetics of Coexistence

Faculty of Music, Bangkokthonburi University, Thailand

21

AUG

16:30-17:00 hrs (GMT + 7)

Room I

The 10th Art Space@SNU, "Boiled Art?!": Connecting the University Community Through Art

College of Music, Seoul National University, South Korea

21

AUG

15:30-16:00 hrs (GMT + 7)

Room II

Kai Fa Phaya Lo

Faculty of Music, Bangkokthonburi University, Thailand

21

AUG

15:30-16:00 hrs (GMT + 7)

Room I

Expanded Solo: Performing the Expanded Self

Yong Siew Toh Conservatory of Music, National University of Singapore, Singapore 

21

AUG

17:00-17:30 hrs (GMT + 7)

Room I

SONG Project: Performance as the Practice of Attitude

College of Music, Seoul National University, South Korea

22

AUG

11:30-12:00 hrs (GMT + 7)

Room II

The Nephrite Passage

The Faculty of Decorative Arts, Silpakorn University, Thailand

22

AUG

12:30-13:00 hrs (GMT + 7)

Room III

Do You Hear Me?: An Interactive Multimedia Composition Integrating Sign Language, Pure Data, and Real-Time Visual Synthesis for Hearing-Impaired Performers

Faculty of Music, Silpakorn University, Thailand

22

AUG

12:00-12:30 hrs (GMT + 7)

Room I

From Curiosity to Craft: A Pedagogical Approach to Critical and Creative Music- Making

Yong Siew Toh Conservatory of Music, National University of Singapore, Singapore

19

AUG

16:30-17:00 hrs (GMT + 7)

Room I

How Listening with Curiosity Positions Performing with Courage: A Comparison Analysis of Research Methodologies and Teaching Implementations

Department of Art, Music, and Dance Education, Faculty of Education, Chulalongkorn University, Thailand    

19

AUG

15:30-16:00 hrs (GMT + 7)

Room III

JARIANGTRUA for String Orchestra: An Artistic Exploration of Intercultural Sonic Identity

Zurazak Ut-sa

Assistant Professor Dr. Chalermpon Hgamsutthi 


Faculty of Music, Bangkokthonburi University, Thailand

19

AUG

15:00-15:30 hrs (GMT + 7)

Room I

From Departure to Return: An Interpretive Perspective on Narrative and Tonal Transformation in Classical Western Music

Independent, Thailand 

19

AUG

15:30-16:00 hrs (GMT + 7)

Room I

Diverse Compositional Structures in Selected Works from the Creative Research 'Biedermeier Trio'

School of Music, Princess Galyani Vadhana Institute of Music, Thailand

21

AUG

15:00-15:30 hrs (GMT + 7)

Room II

Curiosity and Courage: The “SEA” Pitch - Class Set in Toru Takemitsu's Guitar Works

Shenzhen Conservatory of Music, The Chinese University of Hong Kong, Hong Kong

21

AUG

16:00-16:30 hrs (GMT + 7)

Room I

River Pulse

*School of Music, Princess Galyani Vadhana Institute of Music, Thailand

**Independent, Thailand

21

AUG

16:00-16:30 hrs (GMT + 7)

Room III

Brave New World: A Conceptual Musical Project Inspired by Dystopian Popular Culture

School of Music, Princess Galyani Vadhana Institute of Music, Thailand

21

AUG

16:30-17:00 hrs (GMT + 7)

Room III

Practice as Inquiry in Thai Theatre Music: Reconceptualising Musical Accompaniment through the Interaction of Music, Dance, and Narrative

Chitralada Technology Institute, Thailand

22

AUG

12:30-13:00 hrs (GMT + 7)

Room I

BSRU Flex Camp as a Learning Space: Advancing the Potential of Thai Youth in Music Composition and Flexible Ensemble Performance

College of Music, Bansomdejchaopraya Rajabhat University, Thailand

22

AUG

12:30-13:00 hrs (GMT + 7)

Room II

Engineering Orchestration: Designing a Project-Based Orchestration Education Model for Engineering Students

Lika Kamara*

Kyungnan Bang**

Professor Sngkn Kim***

Associate Professor Dr. Seong-Woo Kim*


*College of Engineering, Seoul National University, South Korea

**College of Education, Seoul National University, South Korea

***College of Music, Seoul National University, South Korea

22

AUG

11:30-12:00 hrs (GMT + 7)

Room III

From Sam-rab to Sound: Reimagining Musical Form through Thai Eating Practices

School of Music, Princess Galyani Vadhana Institute of Music, Thailand

19

AUG

15:30-16:00 hrs (GMT + 7)

Room II

Mozart Disliked the Flute, Says Who?

School of Music, Princess Galyani Vadhana Institute of Music, Thailand

19

AUG

16:00-16:30 hrs (GMT + 7)

Room II

MiNE: Beyond Mozart

School of Music, Princess Galyani Vadhana Institute of Music, Thailand      

19

AUG

15:00-15:30 hrs (GMT + 7)

Room II

The Piano Museum in Bangkok: Curiosity, Courage, and Craftsmanship in Piano History

School of Music, Princess Galyani Vadhana Institute of Music, Thailand

21

AUG

15:30-16:00 hrs (GMT + 7)

Room III

A Creative Work “Path of Sufferingless”

Faculty of Music, Bangkok Thonburi University, Thailand

21

AUG

15:00-15:30 hrs (GMT + 7)

Room I

Exploring the Impact of Proprioceptive Periodization Training on Vocal Performance and Somatic Awareness in Classical Singers

*Independent Scholar, Thailand

**School of Music, Princess Galyani Vadhana Institute of Music, Thailand

21

AUG

15:00-15:30 hrs (GMT + 7)

Room III

Scar / Scorn / Soil: Tracing Beauty in the Wounded

Faculty of Decorative Arts, Silpakorn University, Thailand

21

AUG

16:00-16:30 hrs (GMT + 7)

Room II

Kheak Chern Chao; Flute Sonata

Faculty of Music, Bangkok Thonburi University, Thailand

21

AUG

16:30-17:00 hrs (GMT + 7)

Room II

SXNG KRABWUAN

*Institute of Science Innovation and Culture, Rajamangala University of Technology Krungthep, Thailand

**Faculty of Music, Bangkokthonburi University, Thailand

22

AUG

12:00-12:30 hrs (GMT + 7)

Room III

Visual Guidance and the Improvising Mind: An Empirical Study of LED-Fretboard Interaction in Guitar Improvisation

Wissawin Kunchornsup

Settawat Wongmoh


Siam Cement Group (SCG), Thailand

22

AUG

12:00-12:30 hrs (GMT + 7)

Room II

Rediscovering Music Composition Through Drawing Practice: Curiosity, Imagination, and Experimentation

State University of Maranhão, Brazil

22

AUG

11:30-12:00 hrs (GMT + 7)

Room I

Enhancing Traditional Instrumental Pedagogy: Active Learning Strategies for Instrumental Learning

Faculty of Education, Chulalongkorn University, Thailand   

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Princess Galyani Vadhana Institute of Music, 
2010 Arun Amarin Rd, Bang Yi Khan, Bang Phlat, Bangkok 10700 THAILAND

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