Christopher Haworth is a musicologist and practice-researcher. His creative work brings methods associated with modernist composition into dialogue with popular electronic music in ways that emphasise the surreal and absurd. Ongoing research projects include methods for using psychoacoustics in composition and spatial audio, notably auditory distortion synthesis (difference tones). His music has been released by Superpang and his research papers have been published by Computer Music Journal, Organised Sound, Leonardo Music Journal and others. In 2025, he is completing a monograph on electronic music and the history of the Cybernetic Culture Research Unit, forthcoming with OUP.