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Bridging Wonderland: A Comparative Survey of Modern Conducting Pedagogy in Asia

Paper Presentation

21 August 2025
15:30 - 16:00 hrs (GMT + 7)
C500

Dr. Boon Hua Lien

Princess Galyani Vadhana Institute of Music, Thailand 

and YST Conservatory of Music, National University of Singapore, Singapore

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This presentation examines how conducting pedagogy has evolved across Asian conservatories, creating educational "Wonderlands" where Western traditions encounter diverse local musical cultures. Drawing from A Comparative and Evaluative Survey of Modern Conducting Pedagogy at Selected Tertiary Institutions in Asia, this study reveals how institutions across Singapore, Thailand, Taiwan, China, and Hong Kong navigate the adaptation of established Western methods to local contexts while maintaining educational standards.

Like Alice discovering new landscapes in Wonderland, these conservatories have developed approaches that complement conventional conducting education with practical local adaptations. The research explores how established Western methods are implemented alongside adjustments that accommodate institutional musical traditions and resources, creating educational environments that integrate both international standards and regional considerations.

Through documented classroom observations, faculty interviews, and curriculum analysis, this study identifies three key areas of adaptation: curriculum design that integrates local musical heritage, rehearsal approaches that reflect local communication patterns and ensemble dynamics, and resource allocation and programming that reflects diverse musical traditions.

These pedagogical adaptations reflect practical responses to local contexts rather than revolutionary changes. The research documents how institutions work within established Western frameworks while making targeted adjustments in curriculum content, rehearsal practices, and institutional programming to accommodate local musical traditions and available resources. Through comparative analysis of these three areas of adaptation, this study reveals how thoughtful modifications to conventional conducting education have contributed to the growing presence of Asian conductors on the international stage, demonstrating that effective cross-cultural pedagogy emerges from strategic adaptation rather than dramatic transformation.

Copyright © PGVIS2025

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Princess Galyani Vadhana Institute of Music, 
2010 Arun Amarin Rd, Bang Yi Khan, Bang Phlat, Bangkok 10700 THAILAND

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