“Whip of Chada” is a contemporary musical composition of approximately nine minutes, scored for a 12-player mixed chamber ensemble consisting of Flute, Oboe, Clarinet in Bb, Bass Clarinet in Bb, Contrabassoon, Vibraphone, Marimba, Harp, Piano, Violin, Viola, and Cello. Inspired by the cultural symbolism of the traditional Thai headdress (chada) and the expressive freedom of drip-and-splash painting techniques, the work embodies an abstract musical narrative that fuses visual and cultural motifs through avant-garde compositional strategies.

Structured in six continuous Movements (I–VI), the composition develops thematic and textural ideas progressively. Movement I introduces the central “whip” motif, symbolizing the gestural fling of paint, interwoven with vertically layered sonorities that reflect the ornate tiers of the chada. Subsequent Movements expand these materials, ranging from intricate rhythmic interplay and timbral dialogues in reduced instrumentation (notably harp and piano) to dense, multi-layered harmonic fields inspired by spectral techniques. The final Movement transforms earlier motifs into an expansive, liberated soundscape, ending with an open resonance that resists conventional closure.

By integrating spontaneous artistic gestures with structured musical form, “Whip of Chada” reflects a harmonious dialogue between tradition and innovation, aiming to reinterpret and elevate Thai cultural identity through a modern artistic lens. The composition serves as a cultural conduit, presenting the elegance and depth of Thai heritage to a global audience.