Contemporary music composition in the 21st century increasingly reflects cross-cultural integration, emphasizing the fusion of diverse musical elements to create works with distinctive identities. This work focuses on the composition of a contemporary piece for a standard-size wind ensemble, integrating musical elements derived from Isan cultural heritage from Northeast Thailand. Utilizing eclecticism as a guiding framework, the work investigates how diverse musical languages, both Western and Thai, can coexist within a coherent artistic structure, enabling hybridization without compromising cultural integrity. Through the conceptual frameworks of eclecticism and cross-cultural music, the work aims to reinterpret traditional musical materials within a modern creative context. The composition, approximately seven minutes in length, incorporates a broad range of musical dimensions, including melodic and rhythmic contour, structure, phrasing, timbre, harmonic texture, and regional stylistic characteristics.

This creative research proposes an alternative compositional approach that integrates elements of traditional Thai identity with contemporary global musical discourse. The objective is to preserve and reinterpret cultural heritage through innovative musical expression, positioning Thai identity within a modern global context while maintaining its unique cultural essence. The work contributes to the global wind ensemble literature by introducing underrepresented cultural voices and musical materials, enriching the wind ensemble’s stylistic and expressive diversity. By highlighting the musical richness of the ASEAN region, the work helps elevate regional identity within the broader national and international artistic landscapes.