Etudes based on Thai Melody “Accent' for Solo Piano, is designed with three primary objectives in mind:  1) to explore methods of combining Thai and Western music, 2) to present an innovative approach to piano composition inspired by the Thai Melody “Accent”, and 3) to contribute new knowledge to the academic field of music composition. The composition draws its inspiration from the Thai Melody “Accent”, which is used as a connecting melody commonly found in Thai music and provides the composer with a rich source of creative material. The experience of attending Thai music concerts and seminars served as the foundation for the musical themes and motifs that characterize these piano etudes.

The work reimagines the “Accent,” which traditionally incorporates influences from Burmese, Mon, Lao, Khmer, Vietnamese, Indian, Chinese, and Western. Accordingly, the composition consists of 10 short etudes and demonstrates a blend of Western musical techniques, incorporating a wide array of melodic lines, rhythmic patterns, and harmonic textures. The work highlights technically demanding aspects of piano performance, such as octaves, large leaps of interval, and close-range intervals, which involve weaving multiple independent melodies together to create a rich and intricate musical tapestry. This approach emphasizes the horizontal independence of each melodic line while allowing for a more flexible interpretation of vertical harmony.

Given these components, it is more appropriate for the performer to have experience and knowledge of both Thai and international music to interpret the piece effectively. This will enable the performer to present the work appropriately. This study contributes to academic discourse by exploring other possibilities for combining Thai and Western music, aiming to produce several small practice pieces for solo piano, which will be useful to those interested in both piano-playing technique and composition.