Paper Presentation:

The Art of Paraphrases on Well-Known Tunes: a Comparative Study of Artistic and Social Aspects in the 19th and 21st Centuries
by Dr. Chanyapong Thongsawang

Is There No Opera Without an Audience in the Concert Hall? Robert Ashley’s “Perfect Lives” (1984) and Potential Operatic Forms in Digital Age
by Seok-young Kim

Migrating to Remote Performance: Continued Artistic Agency in Response to Quarantine Regulations
by Krina Cayabyab

Musik der Aufklärung: Music of Beethoven in the Realities of Here and Now
by Dr. Anothai Nitibhon

How Can We Play Music by 1010 People in This COVID-19 Situation? : The Challenge of “Senju Dajare Music Festival”
by Kotaro Ishibashi

Sounds of Myanmar – Expanding Boundaries and Connecting Communities
by Rachel Ho and Saw Win Maw